$christmas – everything is christmas christmas christmas. ho ho ho is you know what i mean
Everything is christmas christmas christmas. ho ho ho is you know what i mean…. $christmas

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Everything is christmas christmas christmas. ho ho ho is you know what i mean…. $christmas

Merry XXX-Mas, enjoy Denise Milani decorating a Christmas tree while her huge boobs spread holiday cheer to all.
Fap fap fap…. Here’s the Marge Simpson NSFW Playboy Gallery. Enjoy! (fap fap fap….)
Worldwide leader in family entertainment agrees to acquire Marvel and its portfolio of over 5,000 characters
Acquisition highlights Disney’s strategic focus on quality branded content, technological innovation and international expansion to build long-term shareholder value
An investor conference call will take place at approximately 10:15 a.m. EDT / 7:15 a.m. PDT August 31, 2009. Details for the call are listed in the release.
BURBANK, Calif. & NEW YORK–(BUSINESS WIRE)–Building on its strategy of delivering quality branded content to people around the world, The Walt Disney Company (NYSE:DIS) has agreed to acquire Marvel Entertainment, Inc. (NYSE:MVL) in a stock and cash transaction, the companies announced today.
Under the terms of the agreement and based on the closing price of Disney on August 28, 2009, Marvel shareholders would receive a total of $30 per share in cash plus approximately 0.745 Disney shares for each Marvel share they own. At closing, the amount of cash and stock will be adjusted if necessary so that the total value of the Disney stock issued as merger consideration based on its trading value at that time is not less than 40% of the total merger consideration.
Based on the closing price of Disney stock on Friday, August 28, the transaction value is $50 per Marvel share or approximately $4 billion.
“This transaction combines Marvel’s strong global brand and world-renowned library of characters including Iron Man, Spider-Man, X-Men, Captain America, Fantastic Four and Thor with Disney’s creative skills, unparalleled global portfolio of entertainment properties, and a business structure that maximizes the value of creative properties across multiple platforms and territories,” said Robert A. Iger, President and Chief Executive Officer of The Walt Disney Company. “Ike Perlmutter and his team have done an impressive job of nurturing these properties and have created significant value. We are pleased to bring this talent and these great assets to Disney.”
“We believe that adding Marvel to Disney’s unique portfolio of brands provides significant opportunities for long-term growth and value creation,” Iger said.
“Disney is the perfect home for Marvel’s fantastic library of characters given its proven ability to expand content creation and licensing businesses,” said Ike Perlmutter, Marvel’s Chief Executive Officer. “This is an unparalleled opportunity for Marvel to build upon its vibrant brand and character properties by accessing Disney’s tremendous global organization and infrastructure around the world.”
Under the deal, Disney will acquire ownership of Marvel including its more than 5,000 Marvel characters. Mr. Perlmutter will oversee the Marvel properties, and will work directly with Disney’s global lines of business to build and further integrate Marvel’s properties.
The Boards of Directors of Disney and Marvel have each approved the transaction, which is subject to clearance under the Hart-Scott-Rodino Antitrust Improvements Act, certain non-United States merger control regulations, effectiveness of a registration statement with respect to Disney shares issued in the transaction and other customary closing conditions. The agreement will require the approval of Marvel shareholders. Marvel was advised on the transaction by BofA Merrill Lynch.
Investor Conference Call:
An investor conference call will take place at approximately 10:15 a.m. EDT / 7:15 a.m. PDT today, August 31, 2009. To listen to the Webcast, turn your browser to http://corporate.disney.go.com/investors/presentations.html or dial in domestically at 800-260-8140 or internationally at 617-614-3672. For both dial-in numbers, the participant pass code is 51214527.
The discussion will be available via replay on the Disney investors website through September 14, 2009 at 7:00 PM EDT/4:00 PM PDT.
About The Walt Disney Company
The Walt Disney Company, together with its subsidiaries and affiliates, is a leading diversified international family entertainment and media enterprise with five business segments: media networks, parks and resorts, studio entertainment, interactive media and consumer products. Disney is a Dow 30 company with revenues of nearly $38 billion in its most recent fiscal year.
About Marvel Entertainment, Inc.
Marvel Entertainment, Inc. is one of the world’s most prominent character-based entertainment companies, built on a library of over 5,000 characters featured in a variety of media over seventy years. Marvel utilizes its character franchises in licensing, entertainment (via Marvel Studios and Marvel Animation) and publishing (via Marvel Comics).
Forward-Looking Statements:
Certain statements in this communication may constitute “forward-looking statements” within the meaning of the Private Securities Litigation Reform Act of 1995. Such statements relate to a variety of matters, including but not limited to: the operations of the businesses of Disney and Marvel separately and as a combined entity; the timing and consummation of the proposed merger transaction; the expected benefits of the integration of the two companies; the combined company’s plans, objectives, expectations and intentions and other statements that are not historical fact. These statements are made on the basis of the current beliefs, expectations and assumptions of the management of Disney and Marvel regarding future events and are subject to significant risks and uncertainty. Investors are cautioned not to place undue reliance on any such forward-looking statements, which speak only as of the date they are made. Neither Disney nor Marvel undertakes any obligation to update or revise these statements, whether as a result of new information, future events or otherwise.
Actual results may differ materially from those expressed or implied. Such differences may result from a variety of factors, including but not limited to:
legal or regulatory proceedings or other matters that affect the timing or ability to complete the transactions as contemplated;
the possibility that the expected synergies from the proposed merger will not be realized, or will not be realized within the anticipated time period; the risk that the businesses will not be integrated successfully;
the possibility of disruption from the merger making it more difficult to maintain business and operational relationships;
the possibility that the merger does not close, including but not limited to, due to the failure to satisfy the closing conditions;
any actions taken by either of the companies, including but not limited to, restructuring or strategic initiatives (including capital investments or asset acquisitions or dispositions);
developments beyond the companies’ control, including but not limited to: changes in domestic or global economic conditions, competitive conditions and consumer preferences; adverse weather conditions or natural disasters; health concerns; international, political or military developments; and technological developments.
Additional factors that may cause results to differ materially from those described in the forward-looking statements are set forth in the Annual Report on Form 10-K of Disney for the year ended September 27, 2008, which was filed with the Securities and Exchange Commission (“SEC”) on November 20, 2008, under the heading “Item 1A—Risk Factors” and in the Annual Report on Form 10-K of Marvel for the year ended December 31, 2008, which was filed with the SEC on February 27, 2009, under the heading “Item 1A—Risk Factors,” and in subsequent reports on Forms 10-Q and 8-K and other filings made with the SEC by each of Marvel and Disney.
Important Merger Information and Additional Information:
This communication does not constitute an offer to sell or the solicitation of an offer to buy any securities or a solicitation of any vote or approval. In connection with the proposed transaction, Disney and Marvel will file relevant materials with the SEC. Disney will file a Registration Statement on Form S-4 that includes a proxy statement of Marvel and which also constitutes a prospectus of Disney. Marvel will mail the proxy statement/prospectus to its stockholders. Investors are urged to read the proxy statement/prospectus regarding the proposed transaction when it becomes available, because it will contain important information. The proxy statement/prospectus and other documents that will be filed by Disney and Marvel with the SEC will be available free of charge at the SEC’s website, www.sec.gov, or by directing a request when such a filing is made to The Walt Disney Company, 500 South Buena Vista Street, Burbank, CA 91521-9722, Attention: Shareholder Services or by directing a request when such a filing is made to Marvel Entertainment, Inc., 417 Fifth Avenue New York, NY 10016, Attention: Corporate Secretary.
Disney, Marvel, their respective directors and certain of their executive officers may be considered participants in the solicitation of proxies in connection with the proposed transaction. Information about the directors and executive officers of Marvel is set forth in its definitive proxy statement, which was filed with the SEC on March 24, 2009. Information about the directors and executive officers of Disney is set forth in its definitive proxy statement, which was filed with the SEC on January 16, 2009. Investors may obtain additional information regarding the interests of such participants by reading the proxy statement/prospectus Disney and Marvel will file with the SEC when it becomes available.
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USA Today gives it four stars (out of four) and says:
… There is always meaning to Mad Men’s madness and passion under its control, along with an uncommon level of style, flair and wit. On a TV shelf crowded with cookie-cutter products, Mad Men is an original. You don’t have to buy it, but you should at least try it out. …
Entertainment Weekly gives it an “A-minus” and says:
… As with so much about Mad Men, some of it is overheated but never half-baked, and the opening hour rises like a nearly flawless soufflé of sex and salesmanship. … New business strategies (firings, job shifts) get implemented by the ad agency’s new owners, embodied by Fringe’s Jared Harris, who is dry, conniving, and quietly contemptuous of his American counterparts. Hoo boy, is this Brit going to be a jolly good villain to secretly root for!
The New York Times says:
… Over dinner, an eager stewardess chirps to Don about her travels. His reply is typically inscrutable. “I keep going to a lot of places and ending up somewhere I’ve already been,” he says. It’s the third season, and we still want to go with him.
The Los Angeles Times says:
… This is a moral drama, a show about deciding who you are and who you want to be, of character as the sum of small choices. There are no heroes or villains here, only people working out or being carried toward their individual destinies. And in who we root for and in what we root for them to choose, we also define ourselves.
The Washington Post says:
… Never has a show soared to such critical altitude and niche devotion on the art of the cold stare, the unfinished sentence, the trailing plot point. … Everything “Mad Men” claims to be about — from the deception of advertising and the idea that nothing and no one are really as they seem; to the moments just before postmodern American culture exploded; to the imbalances of gender, sexuality and sometimes race, then and now — it comes by in such a subtle way that at times it has been quite irresistible. But also disappointing. Boring, somehow. Heretical as it may seem to say, “Mad Men” is the truest example of style over substance. It is shackled by its attention to subtle detail and early-1960s clothing, objects and furniture.
The San Francisco Chronicle says:
Beyond being the finest series on television, “Mad Men” is both ambitious and exquisite, two of the ultimate rarities in the business. The Season 3 premiere on Sunday begins and ends with two wonderfully conceived and executed scenes and, when the hour closes, it leaves no doubt about its lofty goals. “Mad Men” wants to be indelibly brilliant. And after two seasons of accomplishing just that, there’s no reason given in the premiere to have any doubts about the third. …
The Newark Star Ledger says:
… remains the best show on television. … I enjoyed the season two premiere, but I imagine that its sedate, introspective style was a turn-off to the new viewers who were lured in by the $25 million promotional blitz AMC launched for that season. Sunday’s episode feels much more like a typical hour of “Mad Men,” yet it’s also far more welcoming of new viewers. The hour offers up office intrigue, romantic complications and a classic Don Draper pitch, not to mention the usual brilliant acting from all involved. …
The Boston Herald says:
… Despite the welcome humor, Weiner can’t give up the heavy-handed tricks he learned while scripting “The Sopranos.” … Like “The Sopranos” before it, “Mad Men” only has a 13-episode order. You just want to yell at the TV: Hurry up and use the time. Stop being stylish and start getting real. …
The Boston Globe says:
… In even the smallest details – watch how a stick pin travels through the episode – “Mad Men’’ remains TV at its most artful. Like Don Draper, it’s beautiful, stealthy, troubling, and, above all, addictive. …
The Hollywood Reporter says:
… A return to form, spellbinding and elusive as Don Draper himself. … As a “Sopranos” alumnus, the “Mad Men” executive producer graduated from the David Chase School of Storytelling. You not only don’t give the viewers what they want, you confound them by toying with their expectations. Maybe you even make them question those expectations in the first place. Want tidy resolutions to cliffhangers? Go watch “Desperate Housewives.” …
Variety says:
… Despite series creator Matthew Weiner’s “The Sopranos”-like approach of telling the stories he wants at the pace that suits him, the first hour hits the ground running a little bit faster, creating interesting plot lines for several of the returning characters while adding a compelling new presence. …
So the Google Tricycle is hitting Europe, going off road. The California search engine leader has hired two cyclists to ride through Paris gardens, historical sites and other pedestrian-only areas on the device to take thousands of digital photos. For example, the are biking through the gardens of France’s Chateau de Versailles. The only difference this time, they are blurring the faces of the people they drive by:
To respect people’s privacy, Google has installed software that recognizes license plates and people’s faces and automatically blurs them, Dauba-Pantanacce said. Google will then choose the best photos among the thousands taken. The blurring comes to meet privacy concerns. – from MSNBC
Les Paul, who pioneered the design of the solid-body electric guitar and multitrack recording, died on Thursday at a New York hospital of complications from pneumonia. He was 94. Following are comments from guitarists and music industry figures on his passing:
“My friend and mentor Les Paul died today at 94. He was one of the most stellar human beings I’ve ever known.” — former Guns N’ Roses guitarist Slash.
“Les Paul was truly a ‘one of a kind.’ We owe many of his inventions that made the rock ‘n roll sound of today to him, and he was the founding father of modern music.” — blues guitarist B.B. King.
“As the ‘Father of the Electric Guitar’, he was not only one of the world’s greatest innovators but a legend who created, inspired and contributed to the success of musicians around the world.” — Dave Berryman, president of Gibson Guitar.
“Three-time GRAMMY winner Les Paul was a musical mastermind whose innovations in electric guitar and recorded music are unparalleled … His magnetic charm and sunny disposition matched his incredible skill set and he will always be remembered with great fondness, humility, and respect.” — Neil Portnow, president of The Recording Academy.
“Les Paul set a standard for musicianship and innovation that remains unsurpassed. He was the original guitar hero, and the kindest of souls.” — guitarist Joe Satriani.
Warner Bros. is toying with plans to develop a movie around Lego and its popular building blocks. Scribes Dan and Kevin Hageman are penning the script for the family comedy that will mix live action and animation. Warners is keeping the plot tightly under wraps, but it’s described as an action adventure set in a Lego world. – from Variety
Oh that Miley Cyrus, just a great role model for young girls. Here’s the video:
Oh no! The internet is full of nude pictures of Twilight star Ashley Greene – but you need to do some digging. And stern warnings are coming from her lawyer. Um, please! Don’t take nude pictures and then send them on. C’mon!
So nude photographs of Twilight star Ashley Greene have hit the Internet – and the actress’s attorney is warning: Post them and you’ll likely get sued. “The photos in question, which appear to be of our client, are illegal and are being unlawfully displayed,” Greene’s lawyer says in a statement. “Our client intends to take legal action.” Perez Hilton had posted the nude pictures but took them down.
Don’t pee your pants. It’s messy. Trust me.